“Arielle Laguette shines as Roxane, bringing both authenticity and comedic flair to her performance”
— BroadwayWorld.com, REVIEW: CYRANO DE BERGERAC
“While choice vocal performances stand out (namely, Fallout Theater co-owner Arielle LaGuette as paranoid conspiracy theorist Joanne), Bigfoot feels cast principally for comedic chops.”
— The Austin Chronicle, REVIEW: Bigfoot! The Musical
“A multifaceted performer with eggs in music, theater and comedy baskets, LaGuette has no reason to put on airs when it comes to songwriting.”
— Katy Thorson, Texas Lifestyle Magazine
“Whether you see her in a comedic role, or at a musical performance strumming her ukulele backed by a live band, Arielle LaGuette is someone you don’t want to miss.”
— Valerie Lopez, Comedy Wham
“Fans of She & Him or Norah Jones will find a lot to like...”
— Bryan C. Parker, Austin Monthly
“LaGuette’s sound piques your eardrums from the first note.”
— Glide Magazine
“With the musical and lyrical beauty that LaGuette steps up to the plate with [her] newest effort, one can’t help but imagine that the rising indie artist will continue to fill rooms with her stunning sound.”
— Jonathan Frahm, POP matters
“Following up last year’s self-titled debut EP, LaGuette consistently charms on folk-and-jazz-influenced tunes that focus on her sweetly swinging vocals and ukulele playing.”
— Peter Blackstock, Austin360
“Sounds like: Erin Austin of OK Sweetheart got a little forlorn at a luau. Or Feist decided to leave the electronics at home.”
— Lucinda Breeding, Denton-Record Chronicle
“... the musical embodiment of sunshine and easy times...”
— Maci Woody, KTSW
“...the audio equivalent of a morphine feed as LaGuette’s full, deep voice dulls the pain of breaking up by pairing steady, hopeful ukulele... ”
— Brian Palmer, C-Ville Weekly
“... just her and her ukulele and I was transported to another place and time...”
